Hereby, I share some details about the making of the Bohemian Rhapsody (operatic section) kinetic typography assignment, which can be watched on YouTube.
Bohemian Rhapsody Kinetic Typography by Attila Farkas
1. Research matters
The background pattern is similar to the design of the Italian clown character, called Scaramouche. The colours I used are taken from the mask I uploaded in my previous post.
The man silhouette in the background is edited, so it looks he wears the mask of Scaramouche.
2. Gimme a nice font, and I’ll be happy for hours
The font I used for “fandango” is Ithornet by Dirt2.com – SickCapital, downloaded from dafont.com. Fandango is a Spanish dance, but in this context is the road from a cell to the place of execution. While walking to the certain death, people were throwing various vegetables and stones towards the convicts, in the Middle Age. As the prisoners tried to avoid the flying objects, or were hit by them, and stooped in pain, they looked like dancing… To balance the font’s playfulness I changed the vivid colour theme to a black and white one, which has a darker mood.
Another funny story – and here comes the trivia – I did not notice for months that I misspelled the word, and as you can see above, I wrote “fundango”.
3. Galileo
Although, the lyric is not about Galileo Galilei, but about “Galileo figuro Magnifico” – translated as “Magnify the Galilean’s image” (See more in my previous post – Kinetic Typography Project – 01), I couldn’t miss using the image above. The mad – and frightened – scientist is a vector image of “Doc”, from “Back to the future”.
4. Welcome to the punch
The idea of the wiping laser thingies cannot be found in my initials sketches/drafts, because it came to my mind during the development process, after watching the movie “Welcome to the punch”. It is not just an exciting and entertaining film, but its title screen is so impressive I had to incorporate it to my work.
5. Happy for hours
Yep, it is the font – Scary Monsters by Chloe 5972, from dafont.com. Added some blood, and a slightly disturbing effect, to make it monstrous.
6. The lost symbol
The sign above is in Arabic – Bismillah means “in the name of God”.
8. Let me go(o)
The arrangement of the words looks like a smiley face. When our hero or his patrons are asking for mercy, the main colour is green, whenever they are denied it turns red, and the “smile” disappears.
Also, the fast movement represents an intense/fierce argument.
9. Under pressure
As the judgement becomes final, and the certain death inevitable, the pressure is getting to be unbearable. In this assignment, the word “NEVER” suppresses the other words, and the argument.
10. Will against steel
The chain of the letter “O” represents… well, a chain or handcuffs. The desperate “No”s are tying to break out.
11. A pile of NO
This part is technically might be interesting: I used a virtual camera in After Effects and move it backwards. While the “O MAMA MIA” is being revealed from behind the camera, the pile of “No”s is getting blurry.
12. Visual roller coast
For one of the grammatically most challenging sentences of all rock songs written in English (Beelzebub has a devil put aside for me) I used a huge font, and made it moving fast. I intended to increase the excitment, as this revelation might be the peak of the story.
13. Ego
The vector was found on Clipart.com. It is a sitting devil from a pre-1920’s magician’s program, from the Library of Congress.
14. Crown jewel of the tribute
I’m sure you recognize the closing image of the kinetic typography animation. If not, visit this
website of LIT.
That’s it folks! I really enjoyed working on this assignment. It took ca. 40 hours hard work to create this kinetic typography project. I have listened to this song a trillion times while making this animation, but still love it. Or if it’s possible, I love it even more :o)